"USA! USA! USA!" by Tom Kiefer.

What a Janitor Found at a Border Patrol Processing Facility

Tom Kiefer spent years collecting items confiscated and thrown away by border patrol

BY Féi Hernandez

Email this article to a friend

Kiefer’s photographs force us to engage with the harsh reality many migrants experience in their pursuit of the American Dream.

Artist Tom Kiefer’s photography exhibit at the Skirball Cultural Center in Los Angeles, El Sueño Americano | The American Dream, is an emotionally gripping tale of dispossessed objects and the migrants who owned them. While working as a janitor at a U.S. Customs and Border Protection processing facility from 2003 to 2014 in Why, Ariz., 40 miles from the Mexico-U.S. border, Kiefer says he became disturbed “by the inhumanity of stripping people of items that should not have been taken in the first place,” and felt called to action. “We’re supposed to welcome immigrants,” Kiefer says.

He spent years collecting canned food, rosaries, wallets, toothbrushes, shoelaces and other belongings confiscated and thrown away by law enforcement. Kiefer’s photographs force us to engage with the harsh reality many migrants experience in their pursuit of the American Dream, by bearing witness to what remains of them in the United States: sweaters, candy bar wrappers, birth control packets, toy cars.

Kiefer’s work makes us reconsider the value of objects and who gets to decide their worth. Consider the nuanced importance of “Reinforced Water Bottle,” which depicts a duct-taped gallon of water that functioned as a canteen across the desert, or “Trail Markers,” which depicts seven dirt-coated rubber ducks that may look simply like dirty toys, but in reality served as bright trail markers for those roaming the roadless desert path to freedom. “USA! USA! USA!” is one of the most striking photographs, displaying a row of 50 toothbrushes in patriotic colors confiscated by Border Patrol agents, objects classified as potentially lethal or non-essential.

El Sueño Americano reveals the intricate personality, resilience and story of each migrant. By documenting these found items, Kiefer brings the invisible to light and tells the untold stories that define the United States’ long history of immigration.

“Virgen de Mickey” (2017) depicts a worn, red, Mickey Mouse sweater. Asked what he would say to the young child it belonged to, Kiefer replied, “Don’t let no one take your hope or dreams from you.”

Kiefer will be donating his archives to a university or immigration studies center in the future, to be used as a reference of American history. The exhibit is open through March 8.

All images courtsey of Tom Kiefer and Redux Pictures. 


Brush and Comb Assembly, 2017



Shoelaces, Blue, 2017



Baby Shoe, 2018
 


Diary, 2018


Help In These Times Continue Publishing

Progressive journalism is needed now more than ever, and In These Times needs you.

Like many nonprofits, we expect In These Times to struggle financially as a result of this crisis. But in a moment like this, we can’t afford to scale back or be silent, not when so much is at stake. If it is within your means, please consider making an emergency donation to help fund our coverage during this critical time.

Féi Hernandez is a Mexican immigrant trans non-binary visual artist, performer and writer from Inglewood, Calif.

View Comments